2063 And Other Stories

- Leather Tomes and Spiderwebs
- After The Fall
- Habashyat
- 2063 And Other Stories
In a world where reading is a crime and curiosity is treason, knowledge smolders beneath the ashes of history. Echoing the haunting tones of Fahrenheit 451, this dystopian tale reimagines the Library of Alexandria—not as a beacon of wisdom, but as a sprawling complex of citizen dormitories where compliance is tested and dissent is erased. Amid the surveillance and silence, whispers of a forbidden haven—the Lost Paradise—lure the brave to join a secret resistance that remembers, that reads, and that dreams.
Egyptians like humour in all works of art and walks of life. For Egyptians, it’s a necessity of life, like air to breathe and bread to eat. Our most successful movies and plays are comedies, and our most successful actors are comedians, from the era of black and white cinema and television onwards. Writing and literature may be a more serious affair in Egypt, but humour nonetheless is there, along with its second cousin, satire. And so the subject of this article is humour in Egyptian science fiction and fantasy, which can range from biting political criticism and social commentary to the more general topic of comedy and jokes. The emphasis here will be on the younger generation of authors, in part because of my direct knowledge of them (friends and colleagues) but also because much has already been written about the larger names in satire when it comes to Egyptian science fiction – Ahmed Khaled Tawfik’s Utopia and Basma Abdel Aziz’s The Queue (Bakker, 2021). One particular case in point is 2063 and Other Stories (2025), a collection of satirical and darkly humorous stories by struggling author Moataz Hassanein...




